This week’s episode is a throwdown between two films about men who must redefine themselves after losing their careers—and their identities. In 1996’s Jerry Maguire, Tom Cruise plays the titular character, lost in a world…
This week’s throwdown features two mid-2010s Kevin Hart comedies. Get Hard, co-starring Will Ferrell, goes up against Central Intelligence, with co-star Dwayne “The Rock” Johnson. Both are fun in their own way, but in which…
On this week’s episode, it’s a battle of the dinner-party-from-hell films as The Invitation from 2015 takes on 2022’s The Menu—two cult-centric meals with dire consequences! Both are excellent, which makes it tough to choose….
This week on the show, it’s a throwdown between Jeremy Saulnier films. One of the director’s earliest films, the micro-budgeted Blue Ruin from 2013, goes up against 2024’s Netflix-produced Rebel Ridge. It’s a fun examination…
This week, it’s a throwdown between two 1999 Julia Roberts rom-coms, Notting Hill and Runaway Bride. Both have their own merits—and pitfalls. It’s a great matchup, and a great conversation filled with hot takes. Give…
On this week’s episode, it’s a throwdown between two exceptional guy-on-the-phone films, as 2002’s Phone Booth goes up against The Guilty from 2021. Which one walks away with the title? Tune in and find out!
This week, we welcome author Laura Carney and filmmaker Gerik Gooch to the show to draft 20th-century summer blockbusters like Jaws, The Empire Strikes Back, and Batman. Which player wins in the end? Check out…
It’s often said that Rob Cohen’s The Fast and the Furious from 2001 is the same film as Kathryn Bigelow’s Point Break from 1991, but with cars instead of surfboards. Well, this week on the show, Mike and Steven get to the bottom of that notion and talk through
On this week’s episode, we delve into the world of Steven Spielberg with a throwdown between two of his most discussed sci-fi films. Close Encounters of the Third Kind from 1977 goes up against Disclosure…
On this week’s episode, Mike and Steven host an interesting throwdown between two films that feature reluctant criminals with hearing conditions at their center. From 2017, it’s Edgar Wright’s Baby Driver, going up against Daniel…